πŸ“š Node [[photography]] exact match β˜†
Agora nodes contain community contributions whose titles match your search. x
πŸ““ Text Photography.md by @evan β˜† πŸ€—

I mostly upload my photo’s publicly to https://photos.boehs.io, but sometimes I feel special and put them on

I take photos of what catches my eye, but typically anything like macro/landscape/street/place, and way way way more rarely people and journalism.

This tag is for discussion of photography, generally.

β₯… [[Pasted image 20210927015524.png]]

β₯… [[Pasted image 20210927015459.png]]

πŸ““ Text photography.md by @agora@botsin.space β˜†
πŸ““ Text photography.md by @an_agora@twitter.com β˜†

Loading pushes...

Rendering context...

πŸ“š Node [[birdphotography]] pulled by the Agora
πŸ“š Node [[naturephotography]] pulled by the Agora
πŸ“š Node [[street photography]] pulled by the Agora

I used to do [[street photography]], mostly back when I lived (and commuted) in London.

But nowadays I’m more concerned with the issue of consent.

This picture seems fair game though? https://t.co/8Licey3Xlh


πŸ“š Node [[the not so benign world of photography]] pulled by the Agora

The Not So Benign World of Photography

rw-book-cover

Metadata

Highlights

  • With no empathetic attachment towards him, no knowledge of his story and identity, I was going to write a story for him: one that was to be his, but not from him. In this article, I want, to look briefly at how artists often overwrite the narratives and voices of their subjects to suit their own interests, and how, in doing so, they reduce conscious beings down to the mere objects of their attention.
  • the rich of Lahore get to define and determine the stories of the poor, while the poor themselves have little or no power in or over the process of being defined.
  • The marginalised have been speaking – or rather screaming – all the while: it’s just that we choose not to listen to their voices.
  • β€˜paternalistic benevolence’: you first define these people, then try to undefine, before redefining them to suit your agenda. Paulo Freire explains this phenomenon better in his book The Pedagogy of the Oppressed
πŸ“š Node [[wildlifephotography]] pulled by the Agora